Last Friday, as part of our innovation week we’ve had a few photographers visiting our university. Each of us (final year photography students) could choose up to two of them for a portfolio review and a chance to talk about our major projects. The list of photographers who visited uni: Silvana Trevale, Karina Lax, Mario Popham, Sophie Traynor, Jack Greenwood and Tom Duffield. It was difficult to decide, as they are all very interesting people and brilliant photographers however, I chose Silvana Trevale and Tom Duffield, even though they saw my work before.
I chose Silvana, as she specializes in portraiture and working on personal project about Venezuela’s people and their struggle in the country which face financial, political and social crisis. I selected Tom Duffield, as he published an amazing book about his own family living on a small farm. The Whole House is Shaking explores family members emotional echo, a result of living with and later without the father who was a heroin addict. Tom mixes portraitures with still life and text to tell his story, it seems as a landscape of the everyday. I feel as I struggle to find something interesting apart from portraitures to tell my story about immigration, therefore I believed that he could help me out. I showed my dummy book and a few stories hand written by some of the subjects I photographed.
The feedback form Silvana
According to Trevale “Dog fits with the subject, as the subject looks as a lonely soul for me.” I told Trevale that now I am concentrating on each person as a human being, not just a person who works and contributes to the UK’s economy. She said that “the little girls’ photographs look too commercial, as they are too cute and doesn’t necessarily fit with the rest of the aesthetics. The girl from the end of a book is beautifully lit”. “Try to photograph differently, maybe without them looking at you, so it won’t be too cute”. “You work nice with the environment. You shot a lot since I last saw you. The images of lights could mean that everyone is form different places”. I also asked Trevale to write her own story as an immigrant and she did. Thank you for that. The last portrait with the cross on the wall is Trevale’s favourite. She said that “It’s a good idea to include some portraits with the story, or just a portrait or just a story, as it will help to build up the whole thing”. Her advice was to “keep shooting”. “I like the serious faces best, but you kept the genuine look of people and even that they are smiling it works”.
Tom Duffield’s feedback
“Very interesting project with ongoing issue and Brexit, it become more relevant. Your portraitures developed”. About the image of a man with picture frame above “there is a level of symmetry, the frame in the background intersects with his eye, brings focal point to his eye which is really interesting, strong portrait”. I asked what I should looked at apart from making portraiture to create narrative. Duffield asked “What I am interested with? I said that “the only thing that interest me was their lights or photo frames. As the light shines in their homes and not everyone has chandeliers”. He showed me that one of the portrait (the one with man and photo frame on the wall) “would look good with the image of ashtray and cigarette. As he looks uncertain about the future or as he is waiting for something”. Duffield asked me “What particular you are interested in immigration?” I said that “Immigrants has been discriminated and blamed for just about everything what is wrong in this country, and that I am trying to show that the truth isn’t like this”. I told him about the hand-written stories I am planning to add to the book. He said that I should put portrait along the story to correspond, or if I don’t have a portraiture but a story, then I should add the story next to the light, or something more abstract next to it, or place it on the blank page. The strongest portraits are the ones with natural lights, window light, simple background, nice skin tones. The last image “gives sense of religion”, the additional image of a light hitting the wallpaper – “change white balance”. He pointed out the image of a man with picture frame as its “slightly warm, a bit green, change white balance. If you want consistency, change it to a similar tone. Colour balance and tint and always the most important. About the first portraiture with lady on the bed “Really nice portraiture, nicely lit, painting-ly feel to it, nice composition how she fills the frame. In sense of visual strategies this is very successful portrait, more engaging, beautiful, natural, unguarded and honest”. Duffield also advised me to add description about every photographed person’s work to show how they valued to the country, how they contribute, or photograph their uniform, qualification certificate, or the tools they are using in their work. To show they have a level of expertise and that they contribute something. The project is looking very good and will be nice on the wall.
Thank you guys, I appreciate your feedback.
If you would like to see Trevale or Duffield’s works have a
look at their website, I think they are both brilliant photographers with a lovely