documentary photography, final exhibition, final submission, photobook, photography award, uni work, university

My photobook is finally ready for the submission

For my book’s pages I chose Lumi Silk Coated paper (150gsm), as the image quality is very good; the paper appear slightly shiny, feels nice when touched and as it isn’t white, it gives a slightly warm feeling to the photographs.

I experimented with book sizes and decided that A4 is too large, A5 is too small, so I tried the version in between them-B5 and it’s perfect. I printed the book pages at the University printing bureau and delivered them to Spink and Thackray in Leeds for binding. I chose a light yellow hard cover and for the second book I selected a slightly larger size, orange cover and very similar to Lumi Silk paper. However, the prints quality in the second book wasn’t as good as the ones printed at the University.

Unfortunately, I realised that one of the images in the book was cropped. The same one that I printed for an exhibition and came damaged. Unlucky. Fallowing my mistake, I had to reprint the book pages again. I drove to uni on Wednesday the 24th of April and the printing bureau was closed for an Easter break. I went there the day after, printed the pages and drove to Leeds to make an order. The fallowing Thursday, I collected the book which wasn’t as ordered. The letters on the front page was damaged and appears slightly dirty around the edges however, it wasn’t too bad. In addition, when I came home, I realised that they put two front pages in the book. I wanted to scream!

This means that I had to drive to Leeds again! I drove in London, Manchester and other big cities in the World, but I hate driving in Leeds. Never mind, the next morning I gave them a ring and made a complaint. I was told to bring the book back and they will sort it out for me. This time I sent my boyfriend, as I was stressed enough and had million other things to do before the submissions. Three days before the submission I finally collected my book! Thankfully this time it looks amazing and I am very proud of it!

I need to take a pictures of my book, make some changes and finally I will be ready to submit my work, both written and physical form.

If you would like to see my book and many other interesting work, come to The University of Huddersfield on the 7th of June for the final year photography student’s exhibition. I can’t wait for it!

Alex Beldea, artist talk, documentary photography, final year, photography, university

Working in Photography by Alex Beldea

University of Huddersfield careers and employability service offer a range of guest speakers and workshops to attend. I recently joined “Working in Photography” by Alex Beldea.

Alex Beldea studying PhD in our university and we’ve had a few tutorials with him last year. However, this time he talked about his career in photography, his experience as professional photographer, his clients and job opportunities. I will mention a few of those:

Back in his country, Romania, he worked as a sport photographer. He came to the UK over 7 years ago to study photography. While studying, he volunteered for 3 years where he photographed musicians for HCMF. He claimed that both jobs improved his technical skills.

He volunteered as events photographer for University International Office. His volunteer job lead to many paid job opportunities.

He then took a placement year and worked at photo studio Hylton Photography in Leeds. It taught him how to deal with clients, see real photography work and improved his technical skills. This job opportunity lead to many collaborations, as Beldea is still working with Hylton and until now both photographers help each other.

Through university he gets many opportunities to cover events, in one of those he had a pleasure to photograph a royal family visit. He stated that it was stressful and challenging, as he only had 5 minutes for the shoot however, he claimed that it was a very good experience.

He worked for the University gym Team Hud.

He photographed York chocolate story museum Treat or Trick walking tour.

He photographed DJs, celebrities, food photography – still and moving image for Epicure.

Photographed Wander-clothing collection.

Discover Magazine-researchers within university.

Every summer for about two weeks he shoots Graduation ceremonies at the university, he works from 8am to 5pm, then edits at night.

Photographed costumes for final project costume departments.

Commissioned for Manchester Gallery as international photographer to exhibit his work about Manchester- Second Home

He worked on many personal projects. The Last Shift is about coal mining in Romania which is planned to be closed. He photographed coal mining workers who will soon become redundant.

In Tunisia, Beldea is making a project about a refugee camp. He is photographing and raising money for 35 refugees who are struggle financially.

Alex Beldea’s tips are: to be patience; work hard and find a way to show your work; work in many photography fields, as you will gain new skills and it could lead to more job opportunities; look for places to get feedback; join portfolio reviews, for example Red Eye in Manchester, Photo Meet in London; attend conferences as you may end up having exhibitions and this is the best way to show your work; alongside professional photographer’s jobs do internships or assisting jobs, as again you will improve your technical skills…

What a brilliant talk, one of best I ever attended. In my opinion Beldea is a very talented photographer and I love his commercial work, so as documentary; especially Valid for Travel. I always look at his photographs when looking for inspiration. Thank you, Alex, for sharing your story and giving us very useful advice.

If you would like to see some more work by Beldea, I will recommend you visit his website

alexbeldea.com

Uncategorized

Portfolio Review by very talented photographers – Silvana Trevale and Tom Duffield

Last Friday, as part of our innovation week we’ve had a few photographers visiting our university. Each of us (final year photography students) could choose up to two of them for a portfolio review and a chance to talk about our major projects. The list of photographers who visited uni: Silvana Trevale, Karina Lax, Mario Popham, Sophie Traynor, Jack Greenwood and Tom Duffield. It was difficult to decide, as they are all very interesting people and brilliant photographers however, I chose Silvana Trevale and Tom Duffield, even though they saw my work before.

I chose Silvana, as she specializes in portraiture and working on personal project about Venezuela’s people and their struggle in the country which face financial, political and social crisis. I selected Tom Duffield, as he published an amazing book about his own family living on a small farm. The Whole House is Shaking explores family members emotional echo, a result of living with and later without the father who was a heroin addict. Tom mixes portraitures with still life and text to tell his story, it seems as a landscape of the everyday. I feel as I struggle to find something interesting apart from portraitures to tell my story about immigration, therefore I believed that he could help me out. I showed my dummy book and a few stories hand written by some of the subjects I photographed.

The feedback form Silvana Trevale

According to Trevale “Dog fits with the subject, as the subject looks as a lonely soul for me.” I told Trevale that now I am concentrating on each person as a human being, not just a person who works and contributes to the UK’s economy. She said that “the little girls’ photographs look too commercial, as they are too cute and doesn’t necessarily fit with the rest of the aesthetics. The girl from the end of a book is beautifully lit”. “Try to photograph differently, maybe without them looking at you, so it won’t be too cute”. “You work nice with the environment. You shot a lot since I last saw you. The images of lights could mean that everyone is form different places”. I also asked Trevale to write her own story as an immigrant and she did. Thank you for that. The last portrait with the cross on the wall is Trevale’s favourite. She said that “It’s a good idea to include some portraits with the story, or just a portrait or just a story, as it will help to build up the whole thing”. Her advice was to “keep shooting”. “I like the serious faces best, but you kept the genuine look of people and even that they are smiling it works”.

Tom Duffield’s feedback

“Very interesting project with ongoing issue and Brexit, it become more relevant. Your portraitures developed”. About the image of a man with picture frame above “there is a level of symmetry, the frame in the background intersects with his eye, brings focal point to his eye which is really interesting, strong portrait”. I asked what I should looked at apart from making portraiture to create narrative. Duffield asked “What I am interested with? I said that “the only thing that interest me was their lights or photo frames. As the light shines in their homes and not everyone has chandeliers”. He showed me that one of the portrait (the one with man and photo frame on the wall) “would look good with the image of ashtray and cigarette. As he looks uncertain about the future or as he is waiting for something”. Duffield asked me “What particular you are interested in immigration?” I said that “Immigrants has been discriminated and blamed for just about everything what is wrong in this country, and that I am trying to show that the truth isn’t like this”. I told him about the hand-written stories I am planning to add to the book. He said that I should put portrait along the story to correspond, or if I don’t have a portraiture but a story, then I should add the story next to the light, or something more abstract next to it, or place it on the blank page. The strongest portraits are the ones with natural lights, window light, simple background, nice skin tones. The last image “gives sense of religion”, the additional image of a light hitting the wallpaper – “change white balance”. He pointed out the image of a man with picture frame as its “slightly warm, a bit green, change white balance. If you want consistency, change it to a similar tone. Colour balance and tint and always the most important. About the first portraiture with lady on the bed “Really nice portraiture, nicely lit, painting-ly feel to it, nice composition how she fills the frame. In sense of visual strategies this is very successful portrait, more engaging, beautiful, natural, unguarded and honest”. Duffield also advised me to add description about every photographed person’s work to show how they valued to the country, how they contribute, or photograph their uniform, qualification certificate, or the tools they are using in their work. To show they have a level of expertise and that they contribute something. The project is looking very good and will be nice on the wall.

Thank you guys, I appreciate your feedback.

If you would like to see Trevale or Duffield’s works have a look at their website, I think they are both brilliant photographers with a lovely personality.

silvanatrevale.com

thomasduffield.com

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Portfolio review by Karina Lax and Sian Bonnell

As part of our Friday mornings group portfolio reviews this time we were joined by Karina Lax. Firstly, Lax said that I have a interesting name for a photographer. It may sound exciting, but she doesn’t know the real meaning of my surname and I didn’t tell her (exactly it means an “orphan”, but it also used to call somebody “walking disaster” and I truly hate it). Coming back to my portfolio, Lax was impressed with my work and picked up a few of my best portraiture. However, she pointed out a few which aren’t best. She added that I should always think about the context, subjects face expressions, their hand gestures and keep an eye on the composition, so there won’t be any distractions (she said it as one of my subject is dressed in dirty clothing and has his hand in his pocked, what means that he is insecure or somehow distress and that I should edit it to look clean; however, I replied that he is a farmer and that’s the message I want to communicate). Lax suggested that I have a lot of portraiture and should add more conceptual images to create the narrative about the subjects and their story. She recommended to experiment with the edit and mixed up subject’s stuff and pair them up with the person they don’t belong to (this is the second person who suggested this, and I must say I like the idea). She recommended to look at some photographer’s work: Liz Hingley for lighting and narratives and Tom Hunter for his staged narratives

If you would like to see Karina Lax’s work check out her website: http://www.karinalax.com

On Friday afternoon Sian Bonnell was our guest speaker. She talked about her photographic journey right from the university, until now, 40 years as a practitioner. She shared her story about going back to photography when she became mother; she paid a child minder to look after her children and went out to create her artistic images. Mainly juxtaposed household item in the landscape (biscuits cutters, jellies etc), or used food and domestic items to recreate landscapes for example: ham on the wall. She plays with boundaries and mixing reality with fantasy. This kind of photography has not much to do with mine however, I am glad to be part of this talk; as Bonnell has a great personality, made us laugh all the way and gave us an important lesson. She suggested that we should not take it personally when people criticize our work (she said that the older she gets, the less care she became about what other people say). That we should love our work as if we don’t, it won’t be any good, but if we do, that’s when best work will arise. She believes that the camera is her partner in crime and makes her behave badly. Photography for Bonnell isn’t a subject but a tool for translation, it has philosophy. Bonnell also tried self-portraiture, where she reperformed painting’s gesture or her state of mind. The funniest story she told us was where she got commissioned for children surrealism and when she created a scene of crime, she got rejected. I am glad to have a pleasure to meet her for her creativity and lovely personality.  

After the guest speaker, some students and I met Sian in our base room. We’ve had a chance to talk to her and to show our works. According to Sian my work is good and interesting. Bonnell suggested that I need to add a lot of text for my photo book, as pictures can’t express everything what I am trying to communicate to the audience. Bonnell recommended to add newspapers articles, headings about Brexit or other fictional headlines. She also gave me a few photographers to consider researching Rosie Martin, Tom Duffield, Jo Spence, Sian Davey, Mathew Finn and Guy Martin-Syria.

If you interested to see Sian Bonnell’s work have a look at her website: http://www.sianbonnel.com/

documentary photography, final year, major project, photography, portfolio review, portraiture, uni work, university

Group and individual tutorial

Each Friday morning, we have group tutorials with one of our tutors or guests, where we talk about our new work. Additionally, every two weeks we have individual tutorials. I had my first meeting with Liam last Thursday.

Feedback form Liam Devlin: Your pictures became a lot better and the lighting is more interesting (thanks Liam). You freed yourself, instead of photographing the same way and you responded to the location. Devlin asked whats the parameters of the project? I replied that is a positive impact of the immigration from West Yorkshire. What drives you to make this project? Showing these people as my own mirror. Having not an easy life as an immigrant, we have to work a lot harder. I am showing that immigrants are also a humans, not just hard workers who contribute to British economy. Devlin adds that it is normal to feel frustrated, as Prime Minister claims that we “jump the queue”. Foreground a humanity in a face of dehumanising process. We have to live our lives through being stereotyped and labelled as the others, outsiders. Those stereotypes breaks down when counted the individuals, as individuals are way more complex. Part of humans condition is not who we are, but who we are not. To present the complexity and the humanity. You kind of getting there. You need to give a working title. I’ve been asked what my relationship to this country? I answer that its my home, I have family and friends here, but I love Poland and I feel Polish. Devlin said that: ” it is complex, very stable relationship between where you from and where you live”. He advised me to play with the pictures when sequencing them. Not to place them besides the people that are exposed to be for, necessarily. Mix them up, make the viewer work and peace together. In this process they will recognise the complexity of it. Add little phrases but don’t placed them next to the person who said it. Surprise the viewer and play with people expectations. Look at Jitka Hanzlova and Tom Duffield’s work.

Friday’s feedback from Yan Preston: your photographs gone better (wow, thanks Yan). I’ve been asked how my experience as immigrant makes me think and feel. I replied that I feel displaced, especially after Brexit I feel uncomfortable, unwanted and blamed (the same as each of the subject I photographed). As many people believes what the media or Theresa May says about immigration, therefore we became blamed for everything. Which is all lie and perhaps May knows this, but she won’t tell the public that European Union Immigrants brings positive impact to UK’s economy. Life as immigrants isn’t easy but we still try to build our homes. Preston advised me to add facts and statistics. To let the viewer know ho claims benefits or to write an essay about it. Additionally, to combine text in my photo-book, to ask each subject for their story, as text is more accessible and not everything could be said through photographs. Guide them, reach deeper into yours and their stories. Reflect on your story, write the story you want to tell. I told her that I came to the UK as fully trained Security Guard able to work as Police Officer. I was trained in self defence and held a gun licence; however, my qualifications wasn’t recognised here and I had to work in the factory. This is one of the main reasons why I went back to University, as I didn’t want to work as a factory worker forever. Similar story applies to many immigrants.

I’ve  been told to consider Self portrait, “no way” I replied. I hate being photographed, that why I became a photographer. However, each of the subject’s story is similar to mine, so the viewer could see me through other photographs, as they became my mirror reflection.

One of the student said that one of the subject seams to be interesting person with worn look, as he went through a lot in his life but, he wants to know more about him. As I explained what is immigrant life experience, I’ve been told to add subject’s stories, to ask them to write a paragraph about their story. What is home? Where is it? What is ideal country you would like to live in? Tell me about you. What is love? Where is homeland? whats your biggest dreams?

I am always responding to my feedback and portfolio reviews and will try my best to deliver it.

artist talk, final year, photography, Sam Laughlin, university

Video chat with Sam Laughlin

Each Friday afternoon we have timetabled speakers talk at uni. Last Friday we had a Skype video chat with Sam Laughlin, who talked about his work and answers our questions.

Frameworks, 2012-15 are photographs of unfinished building and constructions, emphasising the feeling of monumental and transparency, very strong aesthetically created at nigh through long exposure.

In Untitled, Laughlin was commissioned to document constructions where he focused on situation on construction side. His images appear dark, greyish, not as usual black&white. His tonal gradation was made through exposure and developing the film, not much through post production.

Slow Time, 2014 are the photographs of concrete structure, nature, animals, mountains, texture, etc. taken all over the UK and Europe. A state of mind in a black and white photographs is a main element to this work. Meditative photographs, as a result of slow way of looking and considering what to photograph. When the viewer is placed into this stage of mind,  the connection between objects and nature become visible.

Other interesting works: Nest, 2016 and A certain Movement. The movement of landscape, animals behaviour, man made evolution, environmental crisis, landscape shaped the way animals are adapted to…

According to Laughlin, photographs works on tree levels: 1. aesthetics 2, reading the caption 3. poetical and philosophical level

I love the details in every photographs and this sense of intimacy created between the photographer and subjects.

http://www.samlaughlin.co.uk/

artist talk, editorial, fashion, final year, Karina Lex, major project, photography, Uncategorized, uni work, university

Last term at Uni

In the first week of our second semester, our tutors delivered briefs for our two remaining modules. Professional Practise and Major Project. In the first semester we had Research and Development, the Critical Research Summary was submitted, and now this module is over. I got 68% for it and pretty good feedback, not too bad for a first submission.

One part of professional Practise is done – the dissertation. The title of my dissertation was Theoretical concept and the argument that there is not absolute truth in documentary photography. I analysed the theories of some photography critics and examined case studies of documentary photographers which portrayed people as their subject matter. I am glad that the dissertation is over now. Other two parts of this module are blog, website and the final presentation. Another module is Major Project which is our portfolio or photo-books and the final exhibition.

We have 11 weeks left before Easter break, then the submissions on the 10th of May and hopefully in July I will have a degree in Photography. I am so exciting! Especially, that after the graduation I am off backpacking to South America, I can’t wait! But before this I need to crack on with Uni work. Wish me luck!

Last Friday I had a pleasure to attend a Karina Lex’s talk. A brilliant artist who shared with us her story of becoming a photographer and her 12 years’ experience as a freelance photographer. She is a commercial and commissions-based photographer however, she also creates art work, raising money for charities and is interested in fashion, editorial and psychology.

Her advice was to keep going and say yes to opportunities. To approach customers by email, to list all our skills (technical, customer service, physical work, experience with equipment we are familiar with etc) and to write how it could benefit the company we’re applying for. She also told us how important is to always build a relationship with the subject. When asked if she would choose the photographic work opportunity, or a full-time job and doing photography work on a side, she recommended to always look for photographic opportunities, as after full time at work we won’t have time to do anything else. I must agree.

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Lex presented for us her physical portfolio and I must say it looks incredible. A3 size, black leather cover, each photograph appears glossy and creates some kind of the story. It is a bit crazy to say that fashion photography creates a story, but Lex sequenced her images with similar colours and warmness what forms a harmony when looking through it. I love the design which she ordered from Plastic Sandwich (plasticsanwich.co.uk). I will consider this company when I completed university and will search for work.

The best thing about Karina Lex’s talk was that she was very honest with us when talked about her work, experience, portfolio etc.

Amsterdam, exhibition, photo gallery, photography

Amsterdam, photo galleries

On the second day of the trip to Amsterdam we visited the Foam Photography Museum.

What a brilliant space for an exhibition and a lot of amazing work to view. Astonishing documentary and food photography, I have never seen as many food photographs in my life. It isn’t a category I am interested in however, I must say that some of the work there was very creative.

The one I loved best is of course documentary photograph; Migrants, Mayra, Picnic Across the Border, Tecate, Mexico, USA, 2017 created by French artist JR. This photograph is very ambiguous. It makes the viewer look twice to see what’s going on and to ask a lot of questions. We’ve had an argument about it, as each of us have their own opinion on which side of the table are Mexicans and Americans. I think Americans are on the left side of photograph as they are richer, they have the table and are sitting on benches, not just a table cloth on the floor, as visible on the right side. However, I could be wrong and as I mention the ambiguity of it makes it impossible to interpret.

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The other image I loved was a man’s portrait with little red squares on it. However, as I looked closer the portrait is made from many little portraits. What a great idea and what a talent to create such a masterpiece.

After lunch we visited Huis Marseille Photography Gallery and looked at contemporary African photography. What a brilliant space for an exhibition, enormous rooms with a lot of daylight coming through huge windows.

The work of Zanele Muholi, David Goldblatt, Pieter Hugo, Mikhael Subotzky and Sabelo Mlangeni to mention just a few. A lot of unknown names but what an amazing exhibition of portraitures, street and documentary photography work, my three favourite photography categories. I am very glad that I’ve seen this work as it gives me some new ideas and some of the work has inspires me to create my photographic project.

My favourite was created by Em’kal Eyongakpa. It is not the kind of work I will be doing, but I loved the way it was exhibited, with little images stuck onto big ones to create one whole image.

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Amsterdam, artist talk, Colour&Books, final year, major project, photography, uni work

Amsterdam 2019

As soon as I submitted my dissertation on Friday the 11th (such a relief) I packed my stuff and on Sunday the 13th I went to Amsterdam.

It was a university trip and I’ve had so much fun with other photography students and tutors. The trip was full of exciting visits to photo galleries and photographic workshops, but also filled with time to explore the city, wander around the red-light district, having fun ice-skating, enjoying amazing wafflers, beer, lovely food etc.

On the second day we went to Apeldoorn to attend a brilliant session with Sebastiaan Hankeroot from Colour and Books, who designs photo-books. Very inspiring session with lots of useful information about print, paper type, design that reflects and communicates photographer’s intentions and other important stuff to consider when making books, which I will be doing at the end of this semester.

artist talk, documentary photography, final year, major project, photography, portfolio review, university

Rachel Brown Talk and portfolio review

Rachel Brown is Harper’s Bazaar photographic director and fine art photographer. It was a pleasure to meet her and to hear the story about her journey with photography.

Firstly, Rachel told us about her art collage in Huddersfield and BA studies in London. Then she applied for residency in NYC and received a place and how she creates her cinematic photographs and questions the reality.

She imagined fearful situation to then create her fictional narrative work. She wonders around at night to find new place and often put herself in dangerous situations. She works with long exposure and medium format camera. She works with strangers and landscapes. Approaches strangers by creating a casting exchange for prints. Brown also uses self-portraiture in her work, which she comments that it could influence our own practise.

Later, she told us how she approaches the photographer Steven Klein and starts working for him. When she was back to UK, she got a job as Vogue internship, then works with Tim Walker. Finally, to became Harper’s Bazaar photographic director. Where she works with big names, both celebrities and photographers. Wow what a career.

Rachel encourage us to apply for residencies. She has been in few of them and told us that they could format our photographic career. Also, it is a great way to travel, to see new places, meet interesting people and create contacts. What I get from her talk, was to try different things, to build range of skills and technics within many photography fields to then apply in our professional practise.

Portfolio Review

Rachel Brown told me that my subject is very important today and that this political theme is very interesting especially valid right now with Brexit approaching. That my voice should be heard, and I need to humanize the subjects, therefore I need to give more context to each photographed person. That I need to show that migrants are humans and they deserves to be treated as humans. That I should interview people, ask about their experiences as immigrants, their life stories, how long they’ve been here and what job they are doing to show that they are contributing to the country. Additionally, her advice was to start the book with the essay, with very hard-hitting words like facts and statistics what people believe about immigration. Her advise was to ask somebody important to write the essay for me, however I am not sure if I could afford this, but I will definitely try. Brown’s other advice was to print my work as newspaper, with red heading, statistics and to give away to viewers on our final year exhibition. As this theme is going opposite the media, but migration is normally showed in newspapers.

 

artist talk, final year, major project, photography, portfolio review, portraiture, uni work, university

Artist talk-Pablo Antoli

Pablo is another great photographer who as part of creative exchange week came to uni and talked to students about his practise.

Each of Pablo’s work is different than other, he breaks the boundaries within his creativity. As a commercial practitioner he creates artistic images of food. His travel images are documentary about the place, people, culture, food… His MA work contains found images which he placed into wooden wall and explored what time and decay does to the images. Other work was created by folding images of mountains, rocks, stones into landscapes, then faking sunsets, skies and photograph models as they are landscapes. His recent Sleepers work is an installation created with the mixture of film archives and the landscapes he created in Mexico. The project is about Mexican Revolution and combines projections, risographs and prints on glass.

He shared with us very interesting way of approaching the clients. While travelling, he creates the images about the place, their culture, food then edits them down so photographs creates the story. Then he writes a brief and approach client by sending his work to magazines, restaurants…as part of his professional practice and to gain new customers.

He clarified that his assisting and commercial work fund his living, while money from Mexico allows him to travel and pays for the equipment. Very interesting how he was honest with us and told us that is not easy to make money within photography. That we must always work hard within the field that interest us but also commercially to be able to fund our travel or artistic work.

He advised us to approach photographers and to work with them as photography assistants, as we will gain new skills, get to test new equipment and learn new Technics. Also, to systematically sending our work to clients and photography awards to get our works seen, to gain clients and to receive awards.

If you’re interested in Pablo Antoli’s work, have a look at his websites:

http://anto.li/

http://www.antolistudio.com/

 

 

 

artist talk, final year, photography, uni work, university

Creative Exchange Week, Mario Popham’s talk

What a week, a lot of interesting talks, artist workshops, portfolio reviews…

I am going to start with great photographer Mario Popham

Mario talked about his practise, about the way he started his adventure with photography while studying cinema in the art college. How he came across Cartier Bresson’s work who became his biggest inspiration. Therefore, he learns how to use film camera and decided to travel to India to photograph humanity, photojournalist style in black and white. I am in love with his portraitures created in India. However, at this point he wasn’t sure where is his voice within photography, therefore he went back to UK, looked at other artist like Aleck Soth and started to photograph in Manchester, exploring human’s relationship with the nature. His Enduring Growth is another amazing peace. Since, he knew what his photographs are saying and when his work was exhibited, and he received some awards, he knew that his practise is gaining some momentous. He also became art gallery curator which makes him richer in experience and make him became more creative. He works in collaboration with another artist Tom Baskeyfield. Their collaborated work titled Shaped by Stone was exhibited and will be publish in a book later this year. Thus, Mario created some brilliant personal works, mostly landscapes, while exploring the relationship with nature.

His tip for us – students, was to be nice to our customers, build our contacts and use our instinct, ability, knowledge and always work hard and the clients will come back to us.

Have a look at Mario Popham’s amazing work

http://mariopopham.com/